Cuban independence arrived formally on May 20, 1902, with the raising of the Cuban flag in Havana - a properly orchestrated and orderly inauguration of the new republic. But something had gone awry. Republican reality fell far short of the separatist ideal. In an unusually powerful book that will appeal to the general reader as well as to the specialist, Louis A. Perez, Jr., recounts the story of the critical years when Cuba won its independence from Spain only to fall in the American orbit.
The last quarter of the nineteenth century found Cuba enmeshed in a complicated colonial environment, tied to the declining Spanish empire yet economically dependent on the newly ascendant United States. Rebellion against Spain had involved two generations of Cubans in major but fruitless wars. By careful examination of the social and economic changes occurring in Cuba, and of the political content of the separatist movement, the author argues that the successful insurrection of 1895-98 was not simply the last of the New World rebellions against European colonialism. It was the first of a genre that would become increasingly familiar in the twentieth century: a guerrilla war of national liberation aspiring to the transformation of society.
The third player in the drama was the United States. For almost a century, the United States had pursuedthe acquistion of Cuba. Stepping in when Spain was defeated, the Americans occupied Cuba ostensibly to prepare it for independence but instead deliberately created institutions that restored the social hierarchy and guaranteed political and economic dependence. It was not the last time the U.S. intervention would thwart the Cuban revolutionary impulse.
Cuban Studies has been published annually by the University of Pittsburgh Press since 1985. Founded in 1970, it is the preeminent journal for scholarly work on Cuba. Each volume includes articles in both English and Spanish, a large book review section, and an exhaustive compilation of recent works in the field.
Widely praised for its interdisciplinary approach, and trenchant analysis of an array of topics, each volume features the best scholarship in the humanities and social sciences. Cuban Studies 36 includes articles on economics, politics, racial and gender issues, and the exodus of Cuban Jewry in the early 1960s, among others. Contributing authors are: Kenya C. Dworkin y Méndez, Beatriz Calvo Peña, Mary Speck, Luz Mena, Gema R. Guevara and Dana Evan Kaplan.
Cuban Studies has been published annually by the University of Pittsburgh Press since 1985. Founded in 1970, it is the preeminent journal for scholarly work on Cuba. Each volume includes articles in both English and Spanish, a large book review section, and an exhaustive compilation of recent works in the field.
Widely praised for its interdisciplinary approach and trenchant analysis of an array of topics, each volume features the best scholarship in the humanities and social sciences. Cuban Studies 37 includes articles on environmental law, economics, African influence in music, irreverent humor in postrevolutionary fiction, international education flow between the United States and Cuba, and poetry, among others.
Cuban Studies has been published annually by the University of Pittsburgh Press since 1985. Founded in 1970, it is the preeminent journal for scholarly work on Cuba. Each volume includes articles in both English and Spanish, a large book review section, and an exhaustive compilation of recent works in the field.
Widely praised for its interdisciplinary approach and trenchant analysis of an array of topics, each volume features the best scholarship in the humanities and social sciences. Cuban Studies 38 includes essays on the politics of liberation, including: the competing strands of liberalism emanating from Havana in the early nineteenth century; Jose Martí's theory of psychocoloniality; and the relationship between sugar planters, insurgents, and the Spanish military during the revolution. This volume also reflects on cultural themes, such as the new aesthetics of the everyday in Cuban cinema, the “recovery” of poet José Angel Buesa, and the meaning of Elián Gonzales in the context of life in Miami.
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